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2018奧古斯新加坡秋季大型拍賣會精品推薦:琺瑯彩花鳥紋撇口碗

2018年09月05日 14:17:27  來源:中國書畫收藏頻道

深圳雍乾盛世今日展出一件琺瑯彩花鳥紋撇口碗鑒賞

Shenzhen Yongganshengshi today exhibited an enameled flower stone magpie image appreciation plate

雍正皇帝,清世宗,愛新覺羅胤禛(1722-1735)。雍正是一位承前啟后的帝王,雖然在位時間只有短短的12年,但其勤政治嚴、肅清吏治的執政方針為即將到來的“康乾盛世”頂峰奠定了不可或缺的政治基礎,他不僅是“康乾盛世”的締造者之一,亦是歷史上少有的以勤政著稱的帝王。雍正時,琺瑯彩瓷的燒制更為皇帝重視,燒制時往往要秉承御旨,在怡親王的主持下,分別于清宮造辦處、圓明園造辦處及怡親王府三處設窯燒制。其繪畫多出于清宮如意館畫師之手,精妙絕倫,形成了融詩、書、畫為一體的藝術風格,使琺瑯彩工藝達到了歷史的高峰。

Emperor Yongzheng, Qing Shizong, Aixinjueluoyinzhen(1722-1735). It is an emperor who inherited the past and later. Although the time for his reign was only a short period of 12 years, his strict political policy and the policy of eliminating the government's rule laid an indispensable political foundation for the upcoming peak of the "Kanggan era". He is not only one of the founders of the "Kang Gan Sheng Shi", but also one of the few emperors in history who are known for their diligence. At the time of Yongzheng, the firing of enamel colored porcelain was more important to the emperor. When firing, it was often necessary to uphold the imperial decree. Under the auspices of Prince Yi, the kiln was set up at the Qinggong Construction Office, the Yuanmingyuan Construction Office, and the Prince Yi House. His paintings are mostly from the hands of Qing Dynasty painters, and they are exquisite. They form an artistic style that integrates poetry, books, and paintings, making the enamel craftsmanship reach the peak of history.

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名稱:琺瑯彩花鳥紋撇口碗

規格:重:238g 口徑:15cm 底徑:6.5cm

類別:瓷器 年代:清代(雍正年制)

琺瑯彩花鳥紋撇口碗,此碗造型端莊,撇口,深腹,圈足。,為清代瓷器的獨有特征。底部款“雍正年制”。胎體潔白如雪,枝葉、樹干亦鮮活如生,敷彩亮麗,不吝色彩,且運用自如,姿態高傲,有種白鳥之王不可侵犯的威嚴,器物整體畫面構思精巧,繪工精致,色澤濃淡適宜,繁麗中殊有玲瓏剔透之致,極是清雅。一展雍正朝琺瑯彩工藝水平之高,同時,借此鳥語花香之境界亦呈現出乾隆一朝國泰民安、歌舞升平的繁榮盛世,具有很高的藝術品收藏價值。

Name: Enamelled Flower Bird Line Skull Bowl

Specification: Weight: 238 g Caliber: 15cm Bottom diameter: 6.5 cm

Category: China Age: Qing Dynasty(Yongzheng Year System)

Enamelled flower bird pattern mouth bowl, this bowl shape dignified, skullmouth, deep abdomen, circle foot. , is a unique feature of Qing Dynasty porcelain. The bottom section "Yongzheng Year System". The fetal body is as white as snow, the branches and leaves, and the trunk are also fresh and vivid. They are bright and colorful, and they are not afraid of color. They are freely used and arrogant. There is an inviolable majesty of the king of white birds. The overall picture of the artifacts is exquisite, and the painting is exquisite. The color is light and light. In the rich and beautiful, it is exquisite and elegant. At the same time, the realm of birds 'language and flowers is also showing the prosperity and prosperity of the country's Thai people in the Qianlong dynasty, and it has a high art collection value.

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琺瑯彩瓷器從問世之初就由皇帝直接干預,由宮廷畫師出具樣稿,由皇宮內“造辦處” 選取景德鎮御窯廠燒制上好的白瓷素胎,再經“如意館”畫師打稿、繪畫、填彩等繪畫工序之后,然后將其放入宮內窯爐烘燒后,得出的具有極強立體感和藝術表現力的曠世之作。琺瑯彩瓷極費工時,成本極高,產量不多,多為小件器,全部由皇家壟斷,民間沒有留存。

From the beginning of its existence, enamel colored porcelain was directly interfered with by the emperor. The court painter issued a sample manu, and the palace's "office" selected the good white porcelain tires fired by the Jingdezhen Yuyao Factory. After the "Ruyi Museum" painter wrote, painted, painted, and other painting processes, and then put it into the furnace in the palace, the resulting masterpiece with a strong sense of three-dimensional and artistic expression was obtained. When enamelled porcelain is extremely expensive, the cost is extremely high, the output is not much, and most of them are small pieces. All of them are monopolized by the royal family and the people do not retain them.

(責任編輯:呂子)
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